After spitting fire into another’s trite musings, one is supposed to drop the mic. So let me pick it up, and abscond both your ideas, and use them to arrive at my own meaningful conclusions. Bitches. In other more affable words, I’m going to loosely summarize your discussion before diving into my own thoughts about the spotlights of our reality. Trying to fuel some sustenance in this three way writing orgy.
Valentin, the evolutionary predisposition to leech onto a celebrity, and feed our social bonds couldn’t be more spot on. The thirst of people and their need to strengthen relationships via gossip is most palatably done through the world of celebrity, avoiding the potentially toxic effects of gossip in local social circles. One addition I’d make to this evolutionary understanding of our relationship to celebrity is it’s purpose in filling our God deficit. Celebrities can become mystical demigods that fill the worship hole for people who need to find meaning as a follower of something grander than their life, as a disciple of the divine.
Hershal, I’m going to narrow in on your thoughts on your own pursuance of fame, and specifically skilled-based fame. Sorry, no demigod worshipping of your girl Kim. I found it interesting in your self reflection on the pursuit of prominent writer status, you mentioned your motivations not being at all pure. I would take with some issue with the “at all” sentiment, but lets leave that to our in person trite musings.
Rachit, what you’ll want to focus on instead, is the nature of pure motivation of a skill, or rather more specifically, an artistic skill. You’re going to be highlighting the initial, small scale stage of fame, and it’s relationship with the different types of skills.
Ok so now that I’ve unclenched my need for order in this orgy, lets get into this discussion by first defining what I mean by artistic versus non artistic skill and it’s relevance to this conversation. An artistic skill is one that has intrinsic value in its expression. Music for the sake of cathartic emotional expression, writing for the creative expression of one’s thoughts, and linguistic choreography of words. I can go on, but ya feel me.
On the other hand, non-artistic skills lack this obvious intrinsic value in it’s expression, without additional romantic spin. Let me dig a bit deeper with some examples. A physicist, or any scientist really, conducting research can have a “purer” stem of motivation, if their research is conducted in the lens of pursuing truth. A little more difficult to find intrinsic value compared to the immediate feedback of an artistic skill, but still plausible. But there are non-artistic skills that are even more difficult to produce romantic spin. The mechanics of being a solid accountant can may be, possibly, if you try really hard spun as “my organization and scrupulous spreadsheet skills keep society honest, and the economy bumpin”, perhaps? Emphasis on perhaps.
And not to say that there aren’t other motivations for why one does what they choose to do, practical survival reasons being the most obvious one. But why do I differentiate these minute differences in skill & motivation in reference to fame? Because even on a small social group level, being famous, or a term that can be conflated with small scale fame, being successful, shares similar characteristics to what fame at large scale gives – a good reputation amongst peers, recognition for your skills, tons of fist bumpin, monetary success, romantic pedalation. It ties into the very nature of purpose, as a human being in the context of his or her role in society. Am I good at what I do and does that mean something to society?
But back to artistic skills for a moment, and pure motivation. Well lets call it a pure motivation spectrum instead, because even in this realm, many hit songs, beautiful pieces of art, have been created with some combination of pure intentions and some less-pure ones: ego inflation, money, women etc. This wouldn’t be NFC if I didn’t go on to say that there is probably some healthy balance of the above variables, understood with some hindsight analysis. But in this world, people, and I mean all people, the ones who suck and don’t suck, have the opportunity to channel in pure motivation, and reap the rewards that it brings. And that reward is in the value of self expression, creative exercise, aesthetic gratification, which are often (where applicable) embraced with notions of ephemerality, as to emphasize the act itself and the fleeting moments of satisfaction they bring. And typically, when you see someone who has “made it” and is regarded as genuine in their intentions with their craft, this intrinsic satisfaction seems apparent. So I would say it’s something to try and tap into and be genuine about, whether or not you’ll be famous, or whether or not you’re even good or bad.
Having said all that, it’s a lot easier said than done in practice. Especially when considering if you’ve decided to make a career of said artistic skill. And I suppose this is an opportunity to play an anti-cliche card, which is slowly coming full circle into normal cliche-hood: “Don’t make your passion your job”. It’s why I think, Hershal, you may be becoming more cynical in your reflection on whether your intentions are at all pure anymore. The idealism of a teenager dissipates when practicality, and surviving becomes part of the equation.